Simplicity for a Cha Xi

In Taiwan, the aesthetic pleasure of a tea preparation has been influenced by the Japanese sense of presentation of their tea ceremonies. The seasons play a strong part in these displays because the tea traditions were established when Japan and China were agrarian states. (Japan originally found its tea inspiration in China). Much of the country's prosperity depended on the weather. The purpose of (religious) ceremonies was keep the harmony between heaven and earth.

Another Japanese element that is even more imitated is the sense of zen like simplicity and beauty. Below, is the first Cha Xi I made this weekend: 

When looking at it, I didn't feel sufficiently at ease. So, together with my wife, we simplified the Cha Xi. The exquisite blue and beige Cha Bu (made by my mother) can be better appreciated below. Even the color of the Hung Shui Oolong becomes brighter in the flat cups (vs the high cups):

These 2 pictures of almost the same Cha Xi are a good example of how small changes can have a big aesthetic impact. With this second Cha Xi, my mind felt much more free and 'zen'.

But a Cha Xi's purpose, raison d'être, isn't simply based on aesthetics (or the seasons). In his book, Cha Xi - Mandala, Teaparker has proposed the mandala as a unifying concept for all Chinese tea displays. The mandala is a picture of a harmonious world. Similarly, for the brewer, the Cha Xi is his world for the time he's brewing tea. Each item has its function, has its place in his display. Depending one the tea that is chosen, we choose the wares that will best bring out the flavors, mood of this tea.

For roasted Oolong, for instance, we achieve the best results with the Chaoshan gongfu cha method. This is why I'm using a zhuni teapot and small 'ivory' dragon cups from De Hua.

The Cha Xi transforms tea into a liquid art, enjoyed by body and soul!